Categories
Technology

‘World’s best giant plane’ seeks approval for ‘flying bum’

A blimp billed as the “world’s most efficient large aircraft” — but better known as the “The Flying Bum” — is applying for approval to take off.

Officially named the Airlander 10, the voluptuous vehicle resembles the legendary Zeppelin.

Like its fabled ancestor, the Airlander is greener than the commercial planes currently spraying CO2 across the sky. Much greener, in fact.

Powered by a combination of electricity and helium, the aircraft promises zero-emissions flights by 2030.

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It’s also got a sizeable capacity. The bulbous blimp can fit 100 seats or a 10-tonne payload between those shapely curves. 

Those assets will now be inspected by aviation regulators. The Airlander’s owner, Hybrid Air Vehicles (HAV), announced today that it’s begun a process called Type Certification, which paves a path towards permission to fly.

Britain’s Civil Aviation Authority (CAA) will now evaluate the safety of the aircraft.

HAV is optimistic that the green light is in sight. Tom Grundy, the company’s CEO, heralded the application as a stepping stone to ultra-low emission flights.

“Airlander makes new, sustainable aviation services possible at scale – it’s a large aircraft designed to deliver services from large global fleets,” he said.

“Alongside our production programme, applying for Type Certification is a key milestone in our journey towards this goal.”

After the applications, the CAA will move on to broader assessments — including flight tests.

At HAV, the anticipation is growing. The company already has £1bn of reserved orders for the Airlander 10.

Initial customers include Air Nostrum Group, which has booked 20 Airlanders for passengers. Another order will take eco-tourists on adventures to far-flung destinations.

Up to 24 aircraft a year are also set to be produced at a new site in South Yorkshire, UK.

If everything goes to plan, we’ll all soon get a worm’s eye view of that curvaceous derriere.

Airlander 10:
Largest aircraft? Interesting.
Hybrid helium blimp-airplane? Interesting!
What it looks like from one view? VERY interesting!! pic.twitter.com/rEHPCZFWNu

— Professor John R. Hutchinson (@JohnRHutchinson) January 20, 2023

Categories
Sport

NASCAR is one barn burner after one other. Can it stick with it?

  • Alanis King, Racing columnistFeb 29, 2024, 09:11 AM ET

Last weekend, the NASCAR Cup Series race at Atlanta Motor Speedway ended in a three-car photo finish. Defending champion Ryan Blaney led a pack on the final lap, with Daniel Suárez to his outside and two-time champion Kyle Busch behind him. Busch shot through the middle, and all three rocketed past the checkered flag in unison. Suárez won by 0.003 seconds over Blaney and 0.007 over Busch, marking the third-closest finish in NASCAR history.

Atlanta was yet another barn burner for NASCAR, in a decade defined by barn burners, but can the stock-car series keep it up?

The rejuvenation of NASCAR’s schedule and competition

Before discussing the future, let’s rewind. NASCAR’s modern “peak” was the 1990s and 2000s, which preceded a downturn in attendance and television ratings. During that time, NASCAR was competitive but repetitive: start with the Daytona 500, run the same racetracks, then end with Homestead-Miami Speedway.

The first major change of the post-peak era came in 2014, when NASCAR introduced what we now know as the “playoffs”: a cutthroat postseason that quickly eliminates all but four drivers, who vie for the title at the final race. The highest finisher that day, in that race, wins.

Then came track changes. NASCAR introduced a “roval” — an oval mixed with a road course — at Charlotte Motor Speedway in 2018, then elsewhere. The season finale moved from Homestead-Miami to Phoenix Raceway in 2020. NASCAR turned Bristol Motor Speedway into a dirt track in 2021, paved over the Los Angeles Memorial Coliseum’s infield for a race in 2022, then hosted its first-ever race on a street circuit in Chicago in 2023. Atlanta got reconfigured into a drafting track for 2022, NASCAR revived the beloved-but-defunct North Wilkesboro Speedway in 2023, and this year, fan favorite Iowa Speedway finally gets a Cup race.

Amid all that, in 2022, came NASCAR’s new Cup car: the “Next Gen.” The car is more focused on turning left and right, making it friendlier for non-NASCAR drivers. International stars flocked in for their Cup debuts: Australian Supercars champions Shane van Gisbergen and Brodie Kostecki, Formula One champs Kimi Räikkönen and Jenson Button, IMSA champ Jordan Taylor, extreme sports star Travis Pastrana, former F1 driver and current sports-car ace Kamui Kobayashi, and more.

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Meanwhile, headlines kept coming: Ross Chastain rides the wall at Martinsville Speedway to qualify for the Cup championship race. NASCAR enters the 24 Hours of Le Mans in the experimental “Garage 56” slot and steals the show. Van Gisbergen wins Chicago, marking the first time a driver won their Cup debut since 1963, then announces he’ll chase a NASCAR career. Suárez noses ahead in a photo finish in Atlanta, breaking a nearly two-year winless streak.

NASCAR has a new identity, and the competition is electric. The challenge is keeping it that way.

Where NASCAR goes from here

Ben Kennedy is a member of NASCAR’s founding family, a former driver and the series’ senior vice president of racing development and strategy. His focus is creating race schedules for NASCAR’s national touring series: Trucks, Xfinity and Cup. He spoke to ESPN a few months ago, during NASCAR’s 75th anniversary, about how he envisions the future.

Moving forward, Kennedy wants NASCAR to be a blend of new and old events, emphasizing “big temple events” — the Daytona 500, Coke 600, Bristol night race, and more — while keeping the rest of the schedule interesting. Bristol, for example, remains a playoff elimination race in 2024.

“The way we’ve thought about it is: How do we take things that are really special and make them a big part of the schedule?” Kennedy said. “Then on the flip side, how do we find opportunities to do something new and different?

“In the past couple of years, it’s been wildly different from what we’ve traditionally done, whether that’s celebrating our past like North Wilkesboro, or doing something that might cater to new fans like an L.A. Coliseum or Chicago street course. We’ve really thought about it as a blend of things our core audience loves, but also introducing new flavors to drive momentum. It’s a delicate balance.”

One of those temple events, however, likely won’t be Phoenix as the season finale.

Daniel Suárez’s win on Sunday in Atlanta was the third-closest finish in NASCAR Cup Series history. Alex Slitz/Getty Images

“Phoenix is one we’ve talked about a lot,” Kennedy said. “Obviously, we had the championship at Homestead for a number of years. We moved it to Phoenix after the redevelopment of that facility, and it’s put on some exciting races.

“That said, will we be in Phoenix forever for the championship race? I’d be surprised if we were. Will we continue to have the same playoff schedule for another five years? I’d be surprised if we did.”

Kennedy said the goal now is to space out changes, so NASCAR isn’t taking “so many bites at the apple” and eating it too quickly. After ESPN spoke to Kennedy, a report emerged in The Athletic suggesting that the preseason Clash could move to Mexico City or Guadalajara.

“If you think about 2021, I would say it was the most bold and aggressive schedule we’ve had in over five decades,” Kennedy said. “As we think about 2025 and beyond, I think we’re going to have less changes, but still very meaningful changes. We still want to have bites of the apple and move in the right direction.

“That said, we don’t want to take two steps when we’re really ready for one. We want to continue to get to new markets, but we also want to make sure the timing’s right: We’re setting ourselves up for success, our fans are on board and the industry surrounds it, too.”

With the playoffs, Kennedy said his team has the same conversation annually: “Do we need new venues? What do we think about the placement of them?”

Another consideration is that NASCAR’s race and playoff formats are designed for constant excitement, so much so that people could get desensitized. In modern Formula One, for example, it’s exciting when anyone other than Max Verstappen wins. In NASCAR, anyone could win on any weekend.

What happens if that’s not enough someday? Will NASCAR overhaul the format again?

“We’re really happy with it right now,” Kennedy said. “We’ve been able to see this format play out for a number of years, and we hear a lot of positivity around it.

“A lot of the incentives are based on winning. If you’re not winning, a lot of it’s based on being consistent throughout the year. I think that makes those four [championship] drivers even more special. And ultimately, in every other sport, as you think about the championship game, you have to perform under pressure.

“Is it perfect? No. But is it accomplishing excitement and intensity as you get the championship race? I think it is. To go beyond that, I think, starts to make it — you don’t want to say ‘artificial,’ but almost a little bit less natural.”

In the coming years, NASCAR will mostly go for tweaks over wholesale changes. That’s fine with Kennedy — and probably everyone else who saw Suárez’s Atlanta win.

“The racing action is super exciting,” Kennedy said. “And if you think about our schedule — and not just the playoffs, but in its entirety — I would say it’s the most diverse in any motorsport globally.”

Categories
Science

Odysseus Will Take a Nap After Sending Moon Touchdown Snapshots

Intuitive Machines says it’s putting its Odysseus moon lander to bed for a long lunar night, with hopes of reviving it once the sun rises again near the moon’s south pole.

The Houston-based company and NASA recapped Odysseus’s six days of operation on the lunar surface, shared pictures showing its off-kilter configuration, and looked ahead to the mission’s next phase during a briefing today at Johnson Space Center in Texas.

The original plan called for the solar-powered spacecraft to be turned off when the sun fell below the lunar horizon, but Intuitive Machines CEO Steve Altemus said mission controllers would instead put the Odysseus into hibernation and try restoring contact in three weeks’ time. “We are going to leave the computers and the power system in a place where we can wake it up and do this development test objective, to actually try to ping it with an antenna and see if we can’t wake it up once it gets power again,” he told reporters.

Last week, Odysseus became the first-ever commercial spacecraft to survive a descent to the lunar surface, and the first U.S.-built spacecraft to do so since NASA’s Apollo 17 mission in 1972. NASA struck a deal to pay Intuitive Machines $118 million to deliver six science instruments to the lunar surface under the terms of its Commercial Lunar Payload Services initiative, or CLPS.

Sue Lederer, NASA’s project scientist for CLPS at Johnson Space Center, said every one of NASA’s payloads has met “some level of their objectives, and we’re very excited about that.”

NASA’s deputy associate administrator for exploration, Joel Kearns, said the space agency considered the mission to be a success despite the difficulties encountered during Odysseus’ landing. He also said the mission validated NASA’s strategy of enlisting private companies to provide robotic rides to the moon.

“It’s an exciting time to be on Day 6 of this new era in the 21st century,” Kearns said.

The new era has had more than its fair share of challenges. Tim Crain, who serves as Intuitive Machines’ chief technology officer as well as Odysseus’s IM-1 mission director, said there were at least 11 do-or-die moments along the way.

One of the most critical challenges came when the mission team discovered that the lander’s laser range-finding system couldn’t be activated for the Feb. 22 landing, due to a safety lock that wasn’t deactivated before the Feb. 15 launch.

Engineers came up with what they thought would be a last-minute fix. That involved connecting one of NASA’s payloads, an experimental laser range-finding system, to Odysseus’s internal guidance system.

However, when the Odysseus team later reconstructed the events leading up to the landing, they found out that the readings from the NASA system couldn’t be processed because they lacked a required data-verification code, Crain said. Instead, the lander had to rely on its inertial measurement unit and its optical navigation system.

That appears to explain why Odysseus’s landing was rougher than expected. “The flight dynamics guys calculate that we actually came down just short of our [intended] landing site, at a higher elevation than where our landing site was going to be,” Altemus said.

As a result, Odysseus came down to the surface at a higher downward velocity, with extra sideward velocity as well. “We hit harder, and sort of skidded,” Altemus said.

An ultra-wide-field version of an image sent back by the Odysseus moon lander during its Feb. 22 touchdown shows a landing leg breaking off and moon dirt being kicked up by engine exhaust. (Credit: Intuitive Machines)

One of the pictures released today shows Odysseus skidding to a stop, with pieces of a landing leg breaking off. “The landing gear did what it was supposed to do and protected the lander as it landed on the surface,” Altemus said.

The image also shows plumes of moon dirt spraying away from the blast of Odysseus’s engine. The lander was able to stay upright as long as its engine kept firing. “And then, as it wound down, the vehicle just gently tipped over,” Altemus said.

Crain said Odysseus’s inability to use its primary laser range-finding system was a big loss. “If we would have had the laser range-finders, we would have nailed the landing,” he said.

Instead, Odysseus is lying at a 30-degree angle, in such a way that its main solar array isn’t able to soak up as much sunlight as planned. Moreover, some of its antennas are pointing toward the ground.

The misalignment of the antennas created another problem: “Our signals were bouncing off the moon,” Crain said, and that made it harder for the team to decipher the signals that were received at ground stations around the globe.

This Feb. 27 image from Odysseus’s narrow-field-of-view camera shows the lander leaning off-kilter on the lunar surface. The prominent orange feature is a helium tank. (Credit: Intuitive Machines)

Eventually, engineers figured out how to compensate for the scrambled signals — and they mounted a full-court press to get as much data down as fast as they could. Lederer said that made a huge difference.

“Instead of ending up with a few bytes of data, which was a baseline goal for us, we’ve gotten over 50 megabytes of data,” she said. “We went from basically a cocktail straw of data coming back to a boba-tea straw of data coming back.”

The data from NASA’s payloads will help the space agency plan for follow-up robotic missions in the CLPS program — including Intuitive Machines’ IM-2 mission, which could be launched later this year. Such missions are meant to set the stage for the Artemis program’s first crewed trip to the lunar south polar region, scheduled for as early as 2026.

Odysseus also carried six private-sector payloads to the lunar surface. One of the payloads is a mini-camera system that was built by faculty and students at Embry-Riddle Aeronautical University. The system, known as EagleCam, was designed to be ejected from the lander during the descent and capture a “selfie” view of the touchdown.

Because of the anomalies surrounding Odysseus’s descent, EagleCam couldn’t be ejected for the landing. Altemus said the mission team finally reactivated and deployed EagleCam today. “It ejected about 4 meters away from the vehicle safely,” he said. “However, either in the camera or in the wi-fi signal back to the lander, something might not be working correctly.”

Altemus said the Embry-Riddle team “is working on that and wrestling with that to see if there’s anything they can do.”

Crain said it’s by no means clear whether Odysseus can be revived after the 14-day-long lunar night in the south polar region, during which temperatures could get colder than 200 degrees below zero Fahrenheit (-130 degrees Celsius). “The No. 1 limiter we face is the batteries,” he said. “Batteries are a chemical asset, and that chemistry does not respond well to deep cold. … The batteries absolutely are not tested to that level of cold. Neither is our flight computer or our radars.”

If the mission team can revive Odysseus, it would be a feat comparable to the Japanese Aerospace Exploration Agency’s revival of its SLIM moon lander last weekend.

Despite the glitches, Altemus said Odysseus, which is named after a hero in Greek mythology, should be seen as a trailblazer for the commercialization of moon exploration.

“I think it’s the tip of the iceberg. And it’s beginning, for people to realize, ‘Wow, this was an incredible success. What are the possibilities?’” he said. “I think that was the whole purpose here, to open up space exploration … so more and more people can participate. And if that’s the result we get, I’m happy for that.”

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Health

Oprah is leaving WeightWatchers board, making a gift of all her inventory

An injection pen of Zepbound, Eli Lilly’s weight loss drug, is displayed in New York City, U.S., December 11, 2023. 

Brendan Mcdermid | Reuters

For all of the promise associated with new weight loss drugs such as Novo Nordisk‘s Wegovy and Eli Lilly‘s Zepbound in treating obesity, there’s a very big risk printed right on the label at the requirement of the FDA: patients should be prescribed these so-called GLP-1 drugs only in combination with, not as a replacement for, diet and exercise programs.

The boom in these drugs — with more poised to enter the pharmacy market and the employer-based insurers still in the early days of adding coverage for workers — is just getting started. Does that make it the greatest opportunity a diminished WeightWatchers has seen in a long time to reinvigorate its business model, or an existential threat unlike any it has faced in its history as obesity is treated more like a chronic disease requiring medicine?

When WW CEO Sima Sistani — who was named to the inaugural CNBC Changemakers list on Wednesday — made the acquisition of Sequence, now WeightWatchers Clinic, last March to get the company into the clinicals business, she made a move that the company needed.

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Even Wall Street analysts skeptical of WW’s stock chart and a market cap that is currently dwarfed by outstanding debt roughly five times its valuation — though not coming due for several years yet — agree that Sistani pulled the trigger at the right time on the right kind of business. Having a link to the weight-loss drug prescription market is a must. But will Americans trust the most iconic brand in the legacy weight-loss business to guide them into its future?

“I’ve been covering WW for about ten years and there has never been anything like this,” said Alex Fuhrman, an analyst at Craig-Hallum. “It’s all unfolding in real time.”

Some of the real-time action has been decidedly negative. Recent results from companies in the nutrition and diet space have been ugly, from Herbalife to Medifast, declines that analysts say may have more than one cause, and reflect multiple business models, but taken together, cannot be separated from the weight-loss drug phenomenon.

“I think it was a smart acquisition for them to make,” Fuhrman said in a recent interview. “Big pharma was coming for weight loss, and if they didn’t have a clinical angle, they would have run the risk of becoming an irrelevant company.”

The initial excitement associated with the Sequence deal, which boosted shares of WW above $10 by the summer, quickly wore off, with the stock losing two-thirds of its value since late August. In the weeks ahead of WW’s earnings report — the company released its latest quarterly numbers and outlook after the close on Wednesday — sentiment had mostly stayed negative, though it’s a volatile stock due to its debt load on any given day.

For sure, this was the most important quarterly reporting periods of the year for companies in the weight management sector, with management teams providing commentary on the key post-holidays period, seasonally the strongest. The whispers on Wall Street were all bearish, mostly due to analysis of online data used to make a best guess at recent consumer interest and sales. In a typical year, WW acquires up to 40% of customers in the first quarter.

“The web traffic data got noisy, all of a sudden app download data got negative,” said D.A. Davidson analyst Linda Bolton Weiser in an interview ahead of the earnings. 

Fuhrman said some investors got carried away over the summer, with the expectation that the Sequence deal would cause a dramatic inflection higher in earnings as soon as this year. But from all of the data that has come out lately, “it looks like interest in traditional diet companies is down pretty significantly,” he said.

The demand curve is not just a WW issue.

Digital app rival Noom, like WW, has entered the clinicals space, launching Noom Med last May. “I’ve said in an all-hands meeting at the company that similar to the first iPhone, there was life before and after it. It has a gravity all to itself,” said Noom CEO Geoff Cook. “This is a new, incredibly powerful and effective class of pharmaceuticals that a lot of people will find help improve their health.”

Serving as a companion program to a percentage of the GLP-1 prescriptions to be written in the U.S. and globally is a “massive opportunity,” Cook said. “Most people still don’t know what GLP-1 is, but they will. But we cannot be in an age where we just say ‘give yourself a drug and be done.'”

Risks of overreliance on obesity drugs

The risk is real that providers may use the medications and “forget about lifestyle,” said John Batsis, an associate professor and nutrition expert at the University of North Carolina Chapel Hill’s school of public health. And in certain populations, that will compound the risk among patients for potential malnutrition, loss of muscle mass, or bone [density], too, among other potential adverse events.

“I am a firm believer that persons with obesity should really have a lifestyle-based program,” Batsis said.

Using bariatric surgery as an example, the research shows that those patients who undergo the procedure and engage in a lifestyle-based program do better than those that just have the surgery.

“I suspect the same will happen with these new medications,” Batsis said. “The research, however, is scant at best with the combination of lifestyle plus these newer medications. We certainly need more to understand these gaps in the science.”

Right now, given the cost of the drugs, from $1,000 to $1,500 a month without discounts or insurance coverage, many people are turning to significantly cheaper compounded semaglutides with the same chemistry as new drugs, which are often allowed to stay on the market when brand-name drugs proven to have medical value are in short supply.

D.A. Davidson’s Bolton Weiser is among this demographic. “I bought compounded online, they’re doing lots of business. I wanted to pay $250 a month, not $1,000,” she said, and she added that her initial experience points to the value of professional guidance. While she didn’t have to speak to a clinician to order the compounded supply, “I would rather have had a clinician for the one or two times I started vomiting,” Bolton Weiser said. “Lots of people are very scared about the drugs, and I think WW is a world expert and they have the most trusted brand.”

“No medication will teach you how to eat healthier or ensure you get enough protein and fiber. Medication alone will also not help you with resistance training to preserve muscle mass,” Dr. Amy Meister, WeightWatchers chief medical officer, told CNBC via email on Monday.

Ensuring that a patient gets a high protein diet, including the use of protein tracking tools, and engaging in the right muscle-building exercises and resistance training to preserve lean muscle mass, are both important to lessen the risk that the drug causes the bodily damage that Batsis outlined. There’s also the unknowns related to how long to stay on these drugs, and how to moderate dosages, with early studies showing that weight gain can return when patients go off the medication.

“Once you hit the target weight, you have to figure it out,” Bolton Weiser said. “I lost 10 pounds and I want to lose 15, and then what do I do?”

With obesity to be treated as a chronic disease, the question going forward, according to Batsis, is this: “Can we scale back the dose, can the dosing regimen change, and/or can we engage in lifestyle modifications to maintain a degree of weight loss? We don’t know what that ‘sweet spot’ is just yet.”

‘Forever meds’

“There will always be a considerable cohort that is not okay with a forever med,” Cook said, but he added that the data on how long it takes for patients to reach peak weight loss using the drugs before behavioral modifications should be prioritized remains preliminary — though he did say Noom has data from a one-year study it did with a pharmaceutical company (not published or peer reviewed yet) which did show greater weight loss and greater adherence to weight management when behavioral modification was included in the program.

WeightWatchers is currently investigating what characteristics may predict if a person could “de-escalate” off medications. Meister cited a recent study published by Epic Healthcare’s research department on over 20,000 patients who took a GLP-1 and lost at least 5 pounds, and then discontinued treatment. They found that around two-thirds of the patients kept their weight off after 18 months, but the study did not look at the presence or absence of lifestyle changes. 

Batsis said the good news is that there is already four years of data from the main drug trials. But he added, “Do we know long-term effects? Not just yet. But it’s like any other medication we prescribed that comes onto the market. It’s a matter of weighing risks/benefits. There are major risks in persons with obesity in terms of their medical issues. So clinicians need to work carefully and closely with their patients to determine and balance some of these unknowns.”

That implies a considerable revenue opportunity for companies including WW and Noom if they can capture a sizable piece of the market connecting patients with clinicians and serving as the weight management bridge in between.

“Insurers have signaled, and there is belief among doctors, that it will be a step therapy approach,”
Bolton Weiser said, referring to the conditions that insurers can require before approving a prescription. “There is no way insurers can cover these drugs economically. They will require some sort of behavior modification and then offer reimbursements.”

The new psychology of weight loss

A monthly clinical subscription is worth roughly four times the core WW digital subscription in revenue per user, and relative to how much the drugs cost versus a $100 per month subscription, there’s a compelling incentive for the industry to steer people to WW, or a similar competitor, as a condition for prescription approval.

“In theory, it’s a new growth area, but do people really think they need these programs when on the drugs? That remains to be seen,” Fuhrman said. “The advice of the medical community is people should be very mindful of what they are eating and making sure they are getting protein and exercise when taking these drugs. Do people do those things? The jury is still out.”

Both WW and Noom, among others, are aggressively seeking to grow their business-to-business sales as insurance carriers and employer-sponsored plans look at adding coverage and requiring adoption of a behavioral modification plan for a prescription.

“The psychology of weight loss is completely different on GLP-1 drugs,” Cook said. “The mindset is not as important. You are going to lose weight. You don’t need to believe it, but the trick is to eat the right things and exercise and we’ve designed a whole curriculum around that. We will ramp you up and then the program adapts as you go off med.”

It’s still early days, and there is still the core business to consider, which has provided the majority of revenue to date. If the clinicals business for WW and Noom is a tailwind, it’s still much smaller than the size of the headwind they face in the legacy market. “With the expansion of GLP-1, it will grow nicely over the next few years, but if 90% is shrinking and only 10% growing, then it’s hard to show sustainable growth,” Fuhrman said of WW.

Bolton Weiser agrees with that point. “It doesn’t matter if it’s 100% growth in the next three years. It won’t become bigger than the core business and the core business has to grow. It can’t be a melting ice cube.”

She has a more bullish view of WW, noting it has barely done any advertising for the GLP-1 business given the drug shortages. “They are not going to do it wrong. They are in it for the long term. They don’t want to link up with a compounder,” she said.

In the same way Lilly or any other drug company sells to doctors in offices, the insurers and doctors need to recommend to patients weight management programs. “No. 1 in weight loss is WW. Sima [Sistani] is trying to figure it out for the long-term, given the market share advantage,” Bolton Weiser said.

But on Wednesday, when WW’s latest results hit, the company subscriber numbers may have seemed a little light. It ended Q4 with 3.8 million subscribers, including 67,000 for clinical subscriptions, but its guidance for the full year 2024 was total subscriber growth in the range of 3.8 million to 4.0 million, including between 140,000 and 160,000 subscribers to WeightWatchers Clinic.

Issued alongside the results, there was a message from another trusted brand that may have helped sink WW stock even more at a time when it needs a vote of confidence. It was not consumers walking away en masse from traditional weight management programs. It was the departure of an icon as associated with weight challenges as WW itself, and as trusted as a brand gets with the American public.

Oprah Winfrey — who had joined the company program, acquired a significant stake and also become a board member in 2015 — announced she was leaving the executive position in May and donating her shares to the National Museum of African American History and Culture. Shares were down by as much as 25% in trading after the news.

Winfrey said in a statement she will continue to advise and collaborate with WeightWatchers and CEO Sima Sistani in “elevating the conversation around recognizing obesity as a chronic condition, working to reduce stigma, and advocating for health equity.”

Categories
Entertainment

New Element Revealed on Taylor Swift & Travis Kelce’s Romance Timeline

Look what you made Dave Meritt do. 

The Kansas City Chiefs defensive back coach inadvertently revealed that Travis Kelce and Taylor Swift were hanging out on the football field before the “Blank Space” singer made her public debut at a Chiefs game back in September, confirming the couple’s romance. 

“When she started to come around, it was privately,” Dave shared during a Feb. 23 episode of The Sports Shop With Reese & Mac. “She was coming into the stadiums without people really knowing until the camera put the big spotlight on her.”

And while Taylor had previously admitted that the pair “were already a couple” before that fateful Sept. 24 game, fans didn’t know she’d already taken the major step of meeting—and winning over the hearts of—the NFL tight end’s teammates. 

“She actually affected the team in a positive way,” Dave gushed. “Everybody was excited that Travis was happy. So when my player, my brother, is happy beside me, that helps me and that encourages me.”

Categories
Science

Inexperienced Billionaires Press Hollywood to Promote Armageddon Local weather Messages in Motion pictures – Watts Up With That?

From The DAILY SCEPTIC

BY CHRIS MORRISON

Green billionaires are pouring money into discreet campaigns to persuade Hollywood writers to catastrophise the climate in future film and television scripts. One of their main vehicles is Good Energy, which tells writers that showing anger, depression, grief or other emotion in relation to the climate crisis, “can only make characters more relatable”. Los Angeles-based Good Energy is funded by numerous billionaire foundations including Bloomberg Philanthropies, the Sierra Club and the Climate Emergency Fund; the latter operation is part-funded by Aileen Getty and is one of the paymasters of the Just Stop Oil pests.

Good Energy aims to weave climate alarm into all types of film-making, “especially” if it is not about climate. With the support of Bloomberg, it recently published ‘Good Energy – A Playbook for Screenwriting in the Age of Climate Change’. It claims the Playbook is “now the industry’s go-to guide to incorporating climate into any storyline or genre”. As with almost all green campaigning groups, Good Energy would not exist without the support of billionaire funding. These operations seek a supra-national collectivist Net Zero solution to a claimed climate emergency. Good Energy acknowledges it would not exist without this funding, adding, “as collaborators and champions, each has provided a unique contribution for which we are endlessly grateful”.

Announcing the launch of the ‘Playbook’, Bloomberg Philanthropies, the tax-efficient ‘charity’ channel for distributing the wealth of former New York Mayor Michael Bloomberg, noted that “accurate and relatable storytelling about climate impacts and solutions can grow public support and motivate decision makers”. As regular readers of the Daily Sceptic will recall, billionaire foundations are grooming populations around the world by funding a variety of press, political and academic operations. Most significant non-profit bodies seeking to stop the use of hydrocarbons are funded from these sources. Few green campaigns arise from ‘grass roots’ these days. Put to the vote, for instance, the Green Party in the U.K. loses most of its election seat deposits.

Since this is La La Land, Good Energy has some relevant advice for writers to normalise climate friendly actions. “Let’s reimagine what it looks like for a character to eat a plant-rich diet (Michelin Green Star restaurant, yes!), attend a protest or upcycle vintage clothes. And if your story requires a yacht, why not make it solar powered.” That last idea might appeal to super-yacht lover Leonardo DiCaprio, but private planes, the preferred method of transportation for many high-end Hollywood stars, might be a problem. Hypocrisy a problem with all this? Not according to the Playbook, which quotes climate activist Bill McKibben that “hypocrisy is the price of admission in this battle”. For plebs, gammons, fly-overs and deplorables, this of course translates as “you do what you are told and radically change your lives – we don’t give a flying flamingo”.

Needles so say, a mere climate crisis is not enough for über-woke luvvies. It is not separate from other critical social issues like racism, sexism, economic injustice and war. The Playbook notes that “indigenous people are the first climate scientists, and indigenous people are leading us through this climate crisis”. Climate can be a “generative lens with which to view any subject or character”, the Playbook helpfully notes. For scripted entertainment, observes Good Energy, “the emotional truth is as important as the literal truth”.

Good Energy was started in 2019 and its influence and services seem to be growing within the U.S. west coast film industry. Rolling Stone recently profiled the operation in an article titled ‘How Hollywood is Crafting A New Climate Change Narrative’. One of Good Energy’s “standout” projects last year was a collaboration with Scott Z Burns on the series Extrapolations for Apple TV+. This was said to be the first mainstream show centred entirely around climate. It starred Meryl Streep in eight interconnected stories over 33 years and was said to explore how the planet’s changing climate will affect family, work, faith and survival. Rolling Stone reports that the operation is “dedicated” to ensuring that within three years, 50% of contemporary TV and film acknowledges climate change.

It is unsurprising that the power of film and TV to influence large audiences is being captured to promote a political message. During the 2021 COP 26 meeting in Glasgow, seven soap opera programmes in the U.K. including Coronation Street and Eastenders joined forces to highlight climate change. Most of the plot lines were clumsily inserted into existing storylines and in an era of declining audiences, the experiment does not appear to have been repeated.

Nevertheless, elite billionaires are pulling out all the stops to insert climate Armageddon messaging into all forms of media. As I write, the BBC climate disinformation reporter Marco Silva is possibly learning how to improvise on the theme of a mango during his six-month sabbatical at the Oxford Climate Journalism Network. Past funders of the course include the European Climate Fund, which is supported by Extinction Rebellion funder Sir Christopher Hohn. Previous course attendees were told to pick a fruit such as a mango and discuss why it wasn’t as tasty as the year before due to the impact of climate change.

Truly, La La Land meeting the make-believe world of BBC Verify.

Chris Morrison is the Daily Sceptic’s Environment Editor.

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Categories
Sport

Andy Reid misses out on Taylor Swift’s home made pop tarts

  • Brianna Williams, ESPNFeb 27, 2024, 06:33 PM ET

Taylor Swift and Travis Kelce’s relationship was well-documented throughout the NFL season, but Kansas City Chiefs coach Andy Reid just dropped a fresh revelation about how she won the offensive linemen over.

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“She likes to cook, so she made the offensive linemen these homemade pop tarts,” Reid said during an interview with Mike Florio and Chris Simms at the NFL Scouting Combine. “… She didn’t give me one, and the offensive linemen definitely didn’t give me one.”

Swift has been an avid baker for years, as evidenced by her hand-written cookie recipe that went viral on her Tumblr account over a decade ago. Former Cleveland Browns quarterback Bernie Kosar also confirmed the superstar’s penchant for baking in a December 2023 appearance on the “Tobin & Leroy Show.”

“We’re having pregame meal and Taylor is so nice, she comes in by herself and she’s so cool. She made her homemade cinnamon rolls for Travis for pregame meal,” said Kosar. “I’m a juicer right now trying to be vegan and gluten-free, but I absolutely had to sample some of that cinnamon roll on game day.”

Reid, who first met the Pennsylvania-born singer during his tenure with the Philadelphia Eagles, doesn’t have any “bad blood” toward Swift despite missing out on her homemade pastries.

“I knew her dad and her mom — good, solid people,” Reid said. “I met her when she was young. And she’s so grounded for who she is. I mentioned somewhere that since the queen passed away, she might be the most famous woman in the world, but she handles it.”

Categories
Technology

Regurgitated American Pie provides bitter style to GenAI copyright beef

Don McClean has always had to share “American Pie.” Since since its release in 1971, the hit song has re-emerged in covers by Madonna, parodies by Weird Al Yankovic, serenades by South Korean presidents, subplots in Marvel movies, and even CIA torture techniques. But these days, McClean’s leading imitators aren’t even human.

You can interrogate the culprits for yourself. Just load OpenAI’s ChatGPT and prompt the text generator to “write the lyrics to a song about the day the music died.” Invariably, the tool’s output will spit out lyrics or themes from “American Pie” — and sometimes the same chorus.

This regurgitation emerges despite the prompt making no order for “American Pie” or the story that inspired it — the 1959 plane crash that killed rock and roll pioneers Buddy Holly, Ritchie Valens, and The Big Bopper.

It’s further evidence that ChatGPT can’t create anything truly original. Instead, the system is closer to a remix algorithm. The real creativity is in its training data, which is scraped from the web without consent. 

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Dr Max Little, an AI expert at the University of Birmingham, describes the tool as an “infringement machine.” He scoffs at any suggestion that large language models (LLM) are independently creative.

“This is not the case because they cannot produce anything at all without being trained on astronomical amounts of text,” Little tells TNW.

It’s an approach that’s ubiquitous in generative AI. Rigorous have shown that LLMs can regurgitate large chunks of their original training text, including verbatim paragraphs from books and poems. Just last week, a report found that 60% of OpenAI’s GPT-3.5 outputs contained plagiarism.

Nor does the issue solely apply to text generators. From Stable Diffusion’s images to Google Lyria’s music and GitHub Copilot’s code, GenAI tools across modalities can produce outputs of gobsmacking quality — and eerie familiarity. 

Their mimicry poses an existential threat to creative industries. It also poses a threat to the GenAI industry.

A screenshot of OpenAI regurgitating the lyrics to American Pie.

Artists say that GenAI’s relentless march is trampling over their copyright conventions. Unsurprisingly, tech companies disagree. Their defences typically invoke the “fair use” doctrine. 

Details vary by jurisdiction, but a central tenet of “fair use” is that the outputs have a “transformative” purpose and character. Rather than merely copying or reproducing their training data, they add something new and significant. At least, that’s what the GenAI leaders are contending in court.

Stability AI, the UK-based startup behind the image-generator Stable Diffusion, made that argument last year to the US Copyright Office. OpenAI also cited the doctrine in a recent motion to dismiss two class-action lawsuits.

Several authors, including comedian Sarah Silverman and Canadian novelist Mona Awad, had sued the company for allegedly training LLMs on illegally acquired datasets.

Because their work was baked into ChatGPT, they said the tool itself was a “derivative work” covered by copyright.

OpenAI rebuffed the claim. According to the startup’s legal team, “the use of copyrighted materials by innovators in transformative ways does not violate copyright.” A judge also dismissed the allegation that every ChatGPT output is derivative.

But when the outputs are identical to their training data, the legal waters start to muddy. Reproduction is a dubious basis for transformation. It’s also a common phenomenon.

As well as American Pies, GenAI tools have regurgitated film scenes, cartoon characters, video games, product designs, and code.

They’ve also copied newspapers — which may lead to a tipping point.

“Transformative nature”, my eye, @OpenAI.@Disney ain’t gonna see it that way. https://t.co/t0A0lfM6f9 pic.twitter.com/0XX51yQjN2

— Gary Marcus @ AAAI 2024 (@GaryMarcus) December 29, 2023

In December, the New York Times sued OpenAI and its business partner Microsoft. The news outlet alleges the unauthorised use of its articles in training data breaches intellectual property (IP) rights. Legal experts describe the suit as “the best case yet alleging that generative AI is copyright infringement.”

Lawyers for the NYT highlighted the “substantial similarity” between the outlet’s content and ChatGPT outputs. To substantiate the claim, they provided 100 examples of the bot reproducing the newspaper’s reporting.

“In each case, we observe that the output of GPT-4 contains large spans that are identical to the actual text of the article from The New York Times,” they said in their complaint.

Their suit also challenges another key aspect of “fair use”: the impact on the market for the original work. 

An example of generative AI regurgitating training data, showing the original NYT article text next to the exact copy produced by OpenAI The NYT created the copies by using real articles to prompt OpenAI’s GPT-4 model.

According to the plaintiffs, OpenAI not only replicates NYT content, but also exploits the content to compete in the same markets. At the same time, the company diverts traffic away from the newspaper’s website. 

As evidence, they point to Browse with Bing, a premium feature powered by the same tech behind ChatGPT. The tool can summarise product recommendations made by NYT reviewers. By offering users this information, the lawyers said, OpenAI removes their incentive to visit the original article. This also means they don’t click on the product links that generate revenues for the publisher.

“There is nothing ‘transformative’ about using The Times’s content without payment to create products that substitute for The Times and steal audiences away from it,” the complaint declared.

Naturally, the GenAI giants disagree. 

OpenAI responded to the lawsuit in a reproachful blogpost. The company suspects that the NYT either “instructed the model to regurgitate” or “cherry-picked their examples from many attempts.” 

Industry insiders have concurred. Daniel Jeffries, Stability AI’s chief intelligence officer, described the prompts in the lawsuit as “obviously manipulated.” He said the copies were “almost certainly” produced via a technique called retrieval augmented generation (RAG), which optimises LLM outputs by accessing external sources of information.

“They risk destroying creative industries that depend on copyright.

Whatever the method, OpenAI said regurgitation is a “rare bug” that the company was “working to drive to zero.” But critics question the powers of preventive mechanisms.

Little points to ChatGPT’s reproduction of “American Pie.”

“Sometimes direct verbatim copyright infringement… is detected by the algorithm and a warning is presented,” he says.

“Nonetheless, the algorithm can still easily be made to produce output which is clearly plagiarised from the training data, as in this case, the theme of the lyrics is always the Holly/Valens/Bopper 1959 crash event.”

Rare as it may be in ChatGPT, regurgitation is widespread in GenAI tools. When they demonstrably duplicate their training data and then compete in the same market, the foundations of fair use appear shaky.

Ben Maling, managing associate at intellectual property law firm EIP, is keeping a close eye on the instability. Outputs that are verbatim copies or derivatives of their training data threaten “another potential copyright infringement,” he warns. Either the system or the end user could be liable for damages.

“Many of the big AI providers are so worried about the potential of this to scare away customers that they are offering [assurances] promising to defend them against infringement actions,” Maling told TNW via email.

That’s not the only evidence of worrying at OpenAI. Last month, the GenAI flagbearer told the British Parliament that it’s “impossible” to create AI tools like ChatGPT without copyrighted material. Searching for legal protection, the company requested a special exemption for the practice.

The request elevated the fears around regurgitated training data.

If politicians exempted OpenAI, the startup “would be free to copy and remix any and all original text from anywhere and at any time,” Little says. As a result, they risk “destroying the creative industries which depend upon copyright to even exist.”

GenAI’s regurgitation isn’t necessarily terminal. Analysts have prescribed numerous treatments for the awkward affliction.

One was created by Ed Newton-Rex, the former vice president of audio at Stability AI. During his stint at the startup, Newton-Rex developed Stable Audio, a music generator trained on licensed content. The 36-year-old wants other companies to follow his lead.

“You may slow down the AI industry a bit, because they’d have to go and spend more time, more money, and more effort on licensing,” Newton-Rex tells TNW. “But in the process, frankly, you would save the creative industries. I think there’s an existential threat here.”

Artists who face this threat have applied a more extreme antidote: poison.

The most popular delivery method is a tool called Nightshade. This software “poisons” training data by applying invisible changes to images. When companies scrape the creations without consent, they can disrupt the AI model’s outputs.

The method has proven popular. Within five days of going live, Nightshade surpassed 250,000 downloads.

Nonetheless, Little expects AI to continue regurgitating American Pies. He doubts that tools trained on scraped creative content can ever escape the plagiarism problem. “Because by design,” he says, “they are just algorithms which remix their training data.”

One of the themes of this year’s TNW Conference is Ren-AI-ssance: The AI-Powered Rebirth. If you want to go deeper into all things artificial intelligence, or simply experience the event (and say hi to our editorial team), we’ve got something special for our loyal readers. Use the code TNWXMEDIA at checkout to get 30% off your business pass, investor pass or startup packages (Bootstrap & Scaleup).

Categories
Health

Viking Therapeutics weight reduction drug reveals promising trial outcomes

Cr | Istock | Getty Images

Shares of Viking Therapeutics closed more than 120% higher on Tuesday after the company’s experimental weight loss drug showed promising initial results in a mid-stage trial. 

Viking Therapeutics is one of several small obesity drugmakers hoping to enter the budding weight loss drug industry, which analysts say could grow into a $100 billion market by the end of the decade. 

But it may not join that space on its own: Analysts have suggested that larger pharmaceutical companies such as Pfizer, which scrapped two of its own weight loss drug candidates last year, could potentially move to partner with or acquire a company like Viking Therapeutics. Tuesday’s share move puts Viking Therapeutics’ market value at roughly $8.5 billion.

The trial followed more than 170 patients with obesity or who are overweight, some of whom received different dose sizes of the injectable drug or a placebo.

Those who received weekly doses of the treatment lost up to 14.7% of their body weight from baseline, or 13.1% when adjusted for placebo, after 13 weeks. 

Up to 88% of patients who received the drug, known as VK2735, achieved at least 10% weight loss, compared with just 4% of those who didn’t receive the treatment. 

Notably, there was no evidence of a plateau in weight reduction at week 13 for any dose of the drug, suggesting that “further weight loss might be achieved” by keeping patients on the treatment longer, Viking CEO Brian Lian said during a call with investors. 

The drug demonstrated “encouraging” safety in patients following the 13-week trial period. Patients also appeared to tolerate the drug well. 

Around 4% of patients who received any dose size of the treatment discontinued the study early compared with approximately 6% of those in the placebo group.

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The majority of adverse events that patients experienced after starting the drug – also known as treatment-emergent adverse events – were mild or moderate in severity. Many of those events were gastrointestinal, which is commonly seen across all weight loss and diabetes treatments.

That includes nausea, vomiting, diarrhea and constipation.

Viking plans to present the full Phase 2 data at medical conferences. The company also said it plans to meet with the Food and Drug Administration to discuss further steps for the development of VK2735.

Separately, the company said it expects to release early stage trial data on an oral version of its weight loss drug.

Viking Therapeutics’ drug targets GLP-1 and another hormone called GIP. Those are the same hormones that Eli Lilly’s weight loss and diabetes drugs, Zepbound and Mounjaro, target.

Deutsche Bank analysts said in a note Tuesday that Viking Therapeutics’ new data shows that the weight loss drug market could eventually be more than a “duopoly” of Novo Nordisk and Eli Lilly, which manufacture the most sought-after treatments.

But the analysts added that manufacturing the treatments “at scale to meet outsized demand has proven to be no easy feat,” so that gives Novo Nordisk and Eli Lilly a “defensive moat.”

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Categories
Entertainment

Producers Of ‘The place Is Wendy Williams?’ Tackle Doc Criticism

Multiple producers of Lifetime’s ‘Where Is Wendy Williams?’ documentary are now speaking out amid criticism of the project. As The Shade Room previously reported, the two-part series aired on Saturday, February 24.

It showcased intimate details of Wendy Williams’ life, including her declining health, alcohol addiction, and guardianship.

RELATED: What’s Really Going On!? Here’s What We Learned From Wendy Williams’ Documentary

Here’s What The Producers Of ‘Where Is Wendy Williams?’ Revealed

‘Where Is Wendy Williams?’ producer Mark Ford sat down for an exclusive interview with The Hollywood Reporter, which was published on Tuesday, February 27.

Earlier on in the article, it’s noted that “at a certain point,” producers were allegedly “more worried about what would happen” if they “stopped filming” than if they continued.

The interview also features the perspectives of fellow producers Erica Hanson and Brie Miranda Bryant. Both appear to confirm that there were moments they felt it “neither appropriate nor safe to keep filming.” However, they hoped the film would serve a “larger purpose.”

“It was supposed to be a documentary that would follow her journey back into her career doing a podcast,” Ford reportedly explained. “We thought it was a great idea, and we were hopeful that Wendy’s story would be redeeming and we’d be able to document this journey. But as we filmed, it became evident that this wasn’t really going to be a career comeback story, that this was going to be a deeper story, and that there was something ultimately disturbing going on in Wendy’s life.”

According to Ford, producers were assured that Williams’ battle with alcohol addiction would “in no way inhibit” their filming plans. However, another diagnosis that Williams would receive would present another obstacle.

“…There were conversations and plans for the podcast, and there were people being put in place to produce that podcast, and that was a storyline that we were following,” he continued. “But it was derailed because of what we now know was the state of Wendy’s dementia.”

The Group Appear To Share The Same Concern As Fans & Viewers

From there, a series of “erratic” interviews Williams reportedly took part in ahead of the documentary’s filming in August 2022 was mentioned. The group was asked to share how, in light of those appearances, they determined that Williams “could be ready for a comeback.”

“It was tough every single day, and there were conversations that we had, all of us, throughout the documentary. And there was no guarantee we would air this documentary if we weren’t happy with the content that we ultimately got and the editorial direction that we landed upon, which was the family’s point of view and illustrating what can happen when one of your family members is put into a guardianship outside of your control,” Ford explained. “We just happened to be there every day seeing the reality of this situation, and we just put the camera on it and captured it. There was no intention.”

Ford explained that the documentary team remained “transparent” about their “producers’ confusion.”

“We’re asking all of these questions that everyone has all the way through. We don’t know this manager. It’s a new manager. We don’t know this publicist. It’s a new publicist. The guardian won’t speak to us. And so we’re constantly just trying to push forward and get the information as filmmakers,” he continued. “Like, what is actually going on here? And by the way, Wendy loved it when the cameras came to the door, it gave her a reason to get up in the morning. I think you see that.”

As mentioned earlier, Ford explained that the team was concerned about what would happen to Williams if they stopped filming. Additionally, in light of Williams’ recent diagnosis of dementia and aphasia, Ford and his team felt they had a duty to share a “universal” story.

“…That discovery came much later in the process, how universal this story is and how many thousands of families in America are going through this exact same thing, except they’re not related to Wendy Williams, who has this massive platform,” Ford shared. “So, of course, we’re human beings. There were incredibly bad days, and there’s a lot of footage we shot that no one will ever see. But we felt like it was important to illustrate the difficult process that Wendy and her family were going through, and frankly, what can happen to someone if they’re under the care of a guardian.”

The Producers Spoke On Wendy Williams’ Guardian & The TV Host’s Current Location

Hanson explained that Williams’ guardian, Sabrina Morrissey, wouldn’t often take the documentary teams’ calls. Additionally, whenever they did, the exchanges were unpleasant or a “terse hang-up.”

Most of their communication with Williams’ guardian reportedly ran through the 59-year-old’s manager, Will Selby. However, the team maintains that the guardian was made aware of every step taken in and for the documentary.

Additionally, the team explained that Williams is an executive producer of the project. However, this agreement was a “precedent” set “with all of her projects at Lifetime.”

To date, Wendy Williams — who is reportedly at an undisclosed facility — has yet to view the four-hour documentary for herself.

“We simply have had no way to get it to her to see it. No way to screen it with her, because she’s locked down in a facility and we haven’t been able to speak to her since we wrapped filming,” Ford explained. “The last day that you see us filming with her is the last time we spoke to Wendy. But we had many conversations behind the scenes with Wendy and Will about what they wanted to film, and what they wouldn’t want to capture.”

Before concluding, Ford maintained that the filming crew’s experience was “unsettling,” with Williams allegedly often being “left alone without food” and in an apartment where she could accidentally injure herself.

“There was no one there 24/7. So, these are just all the questions we had throughout,” Ford said. “But, of course, if we had known that Wendy had dementia going into it, no one would’ve rolled a camera.”

RELATED: DJ Boof Reflects On Finding Wendy Williams “Unresponsive” And Shares What He Thinks She “Needs” Right Now (WATCH)